Chaos Over Cosmos – A Dream If Ever There Was One Review

Chaos Over Cosmos is a Polish/International Sci-fi Progressive Metal solo/guest vocals project. On November May 9th, 2022, Chaos Over Cosmos independently released their third studio album, A Dream If Ever There Was One.

Chaos Over Cosmos, A Dream If Ever There Was One Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production.

Chaos Over Cosmos — A Dream If Ever There Was One album cover

The First Three Sins, The Summary

The First Sin, The Strings/Keys: Guitar virtuoso blends fast and virtuosic string shredding, further amplified with dynamic tech-death riffage and rigid djent rhythms. An additional space-ambient synthesizers. The Second Sin, The Vocals: Involves dry melodic death growls, screams, and softly singing. The Third Sin, The Percussions: A drum program is used for the drum section, which provides the music with fast tempos of frenzied patterns, fills, and beats.

The Fourth Sin, Overall Discussion

As soon as the listener presses the play button, the opening piece, Continuum, greets the listener with an auto-female counting before the guitar unleashes a surge of shredding.

As you embark on your musical journey, you will encounter the second piece, Fire-Eater, and the remaining four pieces, each contributing to an immersive, unhuman technical and modern prog metal experience that lasts forty minutes. Each song, except for the opening and closing pieces, lasts seven to over ten minutes, making it an engaging experience for the listener.

While writing this review, I am no stranger to this one-person project and their music. This must be the most extreme release from Rafał so far. Formed by sole member Rafał Bowman, it features guest vocalists from around the globe who add an extra kick to the music.

With the album and music, the production for the release is solid, but I feel like the studio album sound has this rough edge towards the sound quality, making it (somewhat) raw and distorted, but this could be me. The devilmanship of the instrumentation and music composition is top-notch and well-executed.

The release’s vocal work featured the late KC Lyon, except for the third piece, Navigating By Moonlight, where KC Lyon’s brother Keaton provides the vocals. Both vocals involved dry melodic death growls, screams, and soft singing, which brought the songs alive.

A Dream If There Was One is an excellent addition to any music lover’s collection if you love loads of shredding in your music.

The album comes to an end with the last song, Melatonin, which closes with an epic symphonic and outer space outro piece. We want to give a shoutout to Chaos Over Cosmos for letting us review their album, A Dream If Ever There Was One.

The Fifth Sin, The Memorabilia

A Dream If Ever There Was One, featured incredible fruit-of-art vocals full of raw emotion that conveyed the depth of the lyrics and music, which was most memorabilia. While the guitar work was some-what impressive, with dynamic tech-death riffage and intricate fingerpicking.

The Sixth Sin, The Artwork

Compared to the Unknown Voyage (artwork) release, it speaks too much about A.I. for me.

The Seventh Sin, Disrelish

With two disrelish found within the musical world of Chaos Over Cosmos, we discovered that A Dream If Ever There Was One focuses on a bit too much shredding for me; it came as more of a backdrop or background noise, and the second disrelish was the artwork, sorry Chaos Over Cosmos.

The Hymns

01. Continuum
02. Fire-eater
03. Navigating by Midnight
04. A Mantra of Oppression
05. Ebb and Flow(ers)
06. Melatonin

Chaos Over Cosmos

Rafał Bowman — Guitars, Bass, Keyboards, Programming
KC LyonVocals
Keaton LyonGuest Vocals

Reviewed by Kristian — editorial architect and ceremonially crafted. © Athenaeum of Sin Reviews.