Defleshing a God – Cenotapharium Review

The listener immediately presses the play button and is immediately transported into the world of the opening song, Defleshing a God. The instruments gradually build up, creating anticipation before breaking into the raw, straightforward black metal.

The three following tracks are dark, with a raw, unrefined edge that returns to a classic, old-school sound. The production quality is unpolished, which adds to the track’s authenticity and rawness. Despite their brevity, these tracks are darkly compelling fruits of art.

The devilmanship is a stunning display of musical talent and creativity of instrumental work that is truly impressive. With its neck-breaking raw riffs that leave you on the edge of your seat, accompanied by intricate tremolo picking that adds depth and texture to the sound. The thunderous drum strikes and beats provide a solid foundation, while the aggressive and harsh vocals add an element of intensity. However, what sets this album apart is the incredible songwriting on the four tracks?

Cenotapharium is short, but a remarkable piece of art that deserves to be given the recognition it deserves. Even though some may criticize its short duration, the album’s intention seems to be to ensure that every note and beat is carefully crafted and thoughtfully placed, making it a forbidden fruit of art. The band behind the album could have chosen to add filler tracks, but instead, they opted to create a more straightforward album that packs each track with an intense passion for art and a deep reverence for Satan.

The band has put significant effort into creating each track on the album to be an individual work of art. They have paid great attention to every detail, ensuring every note and beat is correct, making the album a compelling and emotional experience. The band’s decision to create a concise album could be considered a statement of their artistic vision, where quality is prioritized over quantity, and every track is given the attention it deserves.

In conclusion, this album is an excellent example of how a concise and well-crafted piece of art can have a more significant impact than a more extended but less focused work.

The album comes to an end with the last song, Gestatorial Chair of Sethan Asmodeus. We want to give a shoutout to Defleshing a God for letting us review their Cenotapharium album.