Angel Rising — The Fall Of Tell Nefareh Review
Angel Rising, a progressive/technical death metal band from France, will unleash their latest release, The Fall of Tell Nefareh, on 22nd October 2025. The album will be released via Music Records (France), marking another chapter in the band’s relentless sonic evolution.
Angel Rising, The Fall of Tell Nefareh Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.
The First Three Sins, The Summary
The Fourth Sin, Overall Discussion
Opening Invocation — The Descent Begins
When the listener hits play, the first hymn, The Fall of Tell Nefareh, hits hard. War drums pound like distant thunder. An audio soundscape swirls around the ears—winds scream through cracks. Guitars start low. They build tension bit by bit. The sound pulls you in. It leads straight into the next eight hymns. No breaks. The flow keeps you locked in place.
Lyrics paint a grim picture. Images flash of a city crumbling. Tell Nefareh stands as a symbol of total downfall. It calls to mind old tales from Mesopotamia or Egypt. Think of ziggurats toppling or pyramids swallowed by sand. The whole album traces this mythic slide into chaos.Sonic Evolution — A Giant Leap Forward
Clocking in at thirty-four minutes, the album delivers nine hymns in all. It marks a big step forward for the band. Earlier works seem tiny by comparison. The group pours more heart into it. They blend the steady push of groove metal with smart changes from progressive twists. Technical riffs get complex. They ask you to pay close attention. Melodic death metal brings in sharp bites.
You catch hints of Metallica shows in tight riff patterns—the science of heavy grooves. Those riffs lock into heavy beats—the maths of hard grooves. Sepultura‘s raw vocal fire burns through. Megadeth‘s Friedman-era solos spark wild runs.
Hymnal Highlights — Rituals in Flight and Sand
Hymns like Falling off the Edge of the World: it launches with a burst of power metal energy. Guitars climb high, like eagles riding storm winds. Picture Gamma Ray or Helloween leading a grand march. The song feels like a sacred soar over broken stones.
Now turn to the fifth hymn. It pulls from Arallu‘s feel of the Middle East. Drums beat in ritual style, like calls from long-lost times. Riffs wind through odd scales. Distortion blasts like a storm of sand. It smothers all in rough grit. These touches ground the music in ancient roots. They make the chaos feel real, tied to dusty history.
The Mythmaker — Listenangel’s Singular Vision
Angel Rising springs from one mind—Listenangel crafts most of it alone. He records guitars, programs drums, shapes the sound. This keeps the vision pure—a lone storyteller weaving myths.
Guests add sparks. Rob Lundgren joins tracks two and three. His parts layer on new depth, like voices bouncing in a stone hall. Elvis Ukmar steps in on track six. His style stretches the sound wider. It mixes fresh notes into the base without losing the core feel.
These guests keep things fresh. They answer the question of how one person can fill a big space.
Atmosphere & Production — The Stir of Deeper Fires
Under the hard hits and slams, brutal prog and tech parts take charge. Yet soft spots emerge. Ambient interludes offer space to breathe. The production stacks layers for real depth. The pace copies a slow fall of a mighty land. Each hymn plays like a step in the breakdown of a once-tall world. The feel digs deep. It mixes quiet awe, loud rage, and soft grief. This fits into those hidden spots in your mind. Places where dark thoughts build up.
Notes ring clear. Drums thump like a heartbeat in the dark. You pick out every piece, like rain hits in a downpour. That sharpness makes the wild parts shine. But Angel Rising stirs deeper fires. The devilmanship flares in every corner. Not just in the tunes or noise, but in how the parts fit together. Arrangements draw you close.
Instrumentium & Vocal Anatomy — The Bones of Tell Nefareh
Listenangel’s guitars cut with a keen edge. They stack heavy, like smoke from a holy fire. Riffs shift quick—thrash rushes forward, death metal pounds down, neoclassical lines sweep wide. Leads climb into melody. Solos touch power metal heights, especially in track three. They twist and turn, chasing light in the gloom.
Guitars form the skeleton of Tell Nefareh. They build towers in one riff. They shatter them in the next. Passages rise as grand halls. Then they drop like toppled idols. This back-and-forth mirrors the story’s rise and crash. It keeps you hooked, wondering what breaks next.
Bass lines add weight. They hum thickly, backing the guitars. Often, they stick to the main path. But occasionally, the bass breaks free. It has a firm, low line of its own. In the mix, it stays under the roar. It anchors strongly, like roots gripped in old rock—the foundation of Tell Nefareh‘s faded shine.
Kevin Talley commands the drums. Known from Dying Fetus and Suffocation, his skill slices precise. Beats blend tight grip with loose fury. Blasts tear through the atmosphere in a matter of seconds. Double kicks boom from below. Tribal fills call back to ancient ways. Each strike lands like a verdict from the sky. Each roll shakes a pillar loose and cracks the earth.
Vocal Duality — From Grace to Ruin
Listenangel’s vocals tear right through the storm. He drives the hymns with low growls. His rough voice fills the air. It rises from the chest, packed with power. On tracks two and three, guests bring clean high calls. Their strong cries rise and glide. This blend of rough and smooth shows the full drop. Harsh lows meet bright highs. It paints the shift from strength to fall. The whole setup grips you. It turns simple listening into a journey through dust and fire.
Ritual Overview — A Forbidden Fruit of Art
Overall, The Fall of Tell Nefareh goes beyond a simple record. It stands as a bold mix of progressive drive, brutal slams, heavy weight, and technical flash. Put together with care, it tempts like hidden art—a fruit you dare not ignore—a forbidden fruit of art.
Closing Rite — The Final Descent
As the album comes to an end, we want to give a shoutout to Angel Rising for letting us review his latest album, The Fall of Tell Nefareh. Now, we’ll explore the final three sins to complete the ritual.
The Fifth Sin, The Memorabilia
For me, Angel Rising’s The Fall of Tell Nefareh has conjured something fresh, bold, and undeniably epic—an offering that feels both entertaining and transcendent. The Fall of Tell Nefareh isn’t just another entry in the band’s discography; it’s a ritual evolution, a ceremonial leap into deeper mythic waters.
It was especially gratifying to see “Everything That We Build” featured on the album. That hymn stands as a cornerstone—its guitar work is hymptic, almost liturgical in its phrasing, while the beats and melodies pulse with a sense of sacred architecture. It feels like a sonic monument being erected and dismantled in real time.
The entire album is a fruit of art—ripe with layered composition, emotional gravity, and mythic intent. Every riff, every vocal invocation, every percussive strike feels deliberate, as if carved into the stone of Tell Nefareh itself. It’s not just music—it’s a ceremonial act of creation and collapse
The Sixth Sin, The Artwork
This is not just cover art—it’s a final hymn made visible. The descent is complete. The sins are named. The world, once towering, now falls.
The Seventh Sin, Disrelish
There is nothing to fault in the musical offerings of Angel Rising. With that, we conclude our review of The Fall of Tell Nefareh. Thank you for joining us on this descent through sound and story. We invite you to explore Angel Rising’s catalogue further—each release a ritual, each track a testament to mythic vision and sonic mastery.
The Hymns
1. The Fall of Tell Nefareh
2. The Agony of the Brave (ft. Rob Lundgren)
3. Falling off the Edge of the World (ft. Rob Lundgren)
4. [Title not yet revealed]
5. [Title not yet revealed]
6. [Title not yet revealed] (ft. Elvis Ukmar)
7. [Title not yet revealed]
8. [Title not yet revealed]
9. [Title not yet revealed]
Angel Rising
Listenangel — Guitars, drum programming, production, engineering
Rob Lundgren — Guest vocals on tracks 2 & 3
Elvis Ukmar — Guest contributions on track 6
Kevin Talley — Drums (noted for work with Dying Fetus, Suffocation)