Draculum’s debut conjures a liturgy of shadows, where spellcraft becomes sound and the void sings back. “Each verse is a vessel”
Black Metal
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Crux Ex channels depressive black metal into ambient ritual, summoning grief, decay, sonic introspection, and ceremonial weight.
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Norkh, old school rules in their music. Raw, untainted black metal of the early 90s — occasional hint at thrash, death, doom, or even crust.
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Abadir, a sonic fracture—carved in pagan fire and mythic defiance, a rupture that scorches through cosmic architecture with raw intent.
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Eunoe, that blends most of the metrics of modern and elderly Black Metal by combining some nuances of other metal genres.
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Tårfödd is a cold, cinematic descent into grief—where depressive black metal meets progressive and atmosphere nuance.
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Mehrwertsteuer, a thematic journey across nine tracks. It blends perfectly sharp economic satire with a visceral apocalyptic metal sound.
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Azamoth, scorched hymn of war—chaotic, cinematic, and unrelenting, this black metal opus demands full surrender
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Diaballein channel the ruinous divine. Each passage they summon feels carved from sanctified ash—ritual, not performance.
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Arallu, is a blistering and emotionally charged black metal track that channels real-life trauma into sonic catharsis.