Urku Llanthu — Hanak Review
Urku Llanthu’s ceremonial lament unfolds in hypnotic waves, where dungeon synth becomes a funerary chant and each ambient drone a whisper from the dead.
The Inner Circle — The Esoteric Order
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Tales Of Mike — Human Review
Tales Of Mike, raw hymns, emotional vocals of grief and identity collapse — a sonic ritual carved from sorrow, truth, and devilmanship.
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Sardonic — Menschenfeind Review
Sardonic, a sonic purge: raw, blackened, and deliberately unpolished. Riffs tear through flesh, vocals curse like broken sermons, and drums strike like a dark rite.
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Crux EX — The Pain of Silence Review
Crux Ex channels depressive black metal into ambient ritual, summoning grief, decay, sonic introspection, and ceremonial weight.
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Norkh — Under Teargas Fire Review
Norkh, old school rules in their music. Raw, untainted black metal of the early 90s — occasional hint at thrash, death, doom, or even crust.
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Anemoya — Reflections Review
Anemoya channels progressive metal into introspective ceremony, summoning memory, cultural roots, sonic ritual, and ceremonial depth.
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Bastard Skull — Bastard Skull Review
Bastard Skull, guitars slice like jagged blades, the drums bark orders, and the vocals spit curses. All of it sits in a mix born from that bunker feel grit.
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Warcoe — Upon Tall Thrones Review
Warcoe, summons the ghosts of Sabbath and Pentagram while carving its own myth in stone. Fuzz-drenched riffs, occult visions, and analogue grit.
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Angel Rising — The Fall Of Tell Nefareh Review
Angel Rising fuses groove metal’s relentless drive with progressive shifts and thrash intricate riff work. Melodic death touches add sharp edges…
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Vantaskera — Gilded Review
Vantaskera, a progressive metal whose sound fuses experimental structure, cinematic atmosphere, and ritualistic intensity.
