Urku Llanthu — Wachuma Review
Urku Llanthu operate where Andean ritual meets dark folk meditation — ceremonial synths, ancestral atmosphere, and sacred nocturnal soundscapes.
The Outer Veil — The Exoteric Order
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Dangerous Times For The Dead — Aeon’s End Review
Dangerous Times For The Dead operate where galloping steel and fantasy-driven metal converge — twin-guitar heroics, soaring vocals, and classic heavy metal fire.
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Black Rain — Too Goth to be Punk. Too Punk to be Goth Review
Black Rain operate where post-punk gloom on the banks of the Wear—serrated guitars, shadowed baritone, and mechanical rhythms echo Sunderland’s industrial ghost.
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Spreading The Disease – Purgatory Carnival Review
Spreading The Disease operate where groove is treated as impact and rhythm as pressure — driven by tight riff mechanics and relentless momentum
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Kartel — Ordo Karnivora Review
Kartel operate where anger is treated as truth and rhythm as weapon—shaped through street pressure, thrash-surge velocity, and unfiltered force.
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Shade — The Exploitation Tapes Review
Shade operates where haze is treated as weight and groove as hypnosis—shaped through thick riff ritual, heat-drenched atmosphere, and slow-burning momentum.
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Deadwood — Rituals of a Dying Light Review
Deadwood explore weight and atmosphere through slow-burning heaviness, balancing oppressive riffs with sombre, reflective pacing.
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Lucky XIII — Fortune’s Curse Review
Lucky 13 summons a feral pageant of chaos, where riffs lurch with reckless swagger, vocals snarl like back‑alley omen…
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Ophelia’s Eye — Severance Review
Ophelia’s Eye summons riffs that pulse like molten circuitry, vocals tear through the void with desperate resolve, and drums hammer like tectonic plates grinding beneath a dying sun.
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Droidglow — Neon Inferno Review
Droidglow’s Synths surge like corrupted data streams, Guitar licks twist and flash like quick fire rites, buried beneath rhythmic waves that pulse with digital dread.
