Monastery Dead — Ego Sum Dolor Review

From the moment the play button is pressed, I Am Pain bursts through the speakers, assaulting the listener with an electrifying surge of energy and raw brutality from both the instrumentation and vocals.

As you journey through the music of Monastery Dead, the second song, Raptophilia, and the remaining eleven songs take the listener on a dark excursion and tell a story. The album’s central concept is the idea that our current existence on earth is the actual hell, and that we are already experiencing all the torments of hell here and now.

Monastery Dead‘s music is a powerful fruit of art, a display of devilmanship, and the first three sins that will leave any heavy, unrelenting, extreme metal fan in awe—Monastery Dead’s music will surely resonate with you.

Despite their music’s brutalizing power, raw intensity, and brutality and a unique blend of dreary, depressive, and doom-saturated elements buried within the band’s musical spectrum. Monastery Dead music’s production and sound quality are crafted to give it a sharpness and distinct separation that enhances the overall listening experience.

With dark lyrics that delve into themes of suffering, despair, and the human condition, music that’s not faint of heart is created. Still, it provides music that’s tormenting, vicious, and punishing on multiple levels.

Monastery Dead‘s music is a stunning and electrifying experience that will leave you breathless. The solid line-up of fruit of art skilled musicians delivers a unique combination of playing their instruments with precision and power, creating a wall of brutal-crushing and mesmerizing sound.

The album comes to an end with the last song, Apollyon. We want to give a shoutout to Satanath Records for letting us review Monastery Dead and their Ego Sum Dolor album. Now, we’re going to wrap it up by talking about the final three sins and concluding the review.