Mitternacht conjures guitars that coil in bleak, glacial arcs, vocals rise as distant invocations, and drums strike with the solemn weight of an ancient oath.
Black Metal
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Black Rabbit manifests a liturgy of decay, where riffs gnaw like vermin on bone, vocals shriek as feral invocations, and drums pound as relentless claws tearing through the sanctum
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YHWH conjures riffs that strike like rusted blades, vocals roar as cavernous invocations, and drums detonate as relentless machinery beneath.
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El Muerto conjures dissonant riffs, vocals laments seep through fog‑choked alleys, relentless percussion pounds like chains against stone.
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Bastard Cross summon a blasphemous rite of annihilation, where serrated riffs, cavernous growls, and relentless percussion rip sacred icons into ruin.
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“From vision’s wound the dream coagulates” — Consanguine summons a nightmare liturgy where dissonant hymns bleed into ancestral horror.
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Antiquus Infestus conjure a nightmare liturgy of decay and judgment, where blackened cries, crushing riffs, and ritual percussion bind Salem’s hysteria to sound.
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Draculum’s debut conjures a liturgy of shadows, where spellcraft becomes sound and the void sings back. “Each verse is a vessel”
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Crux Ex channels depressive black metal into ambient ritual, summoning grief, decay, sonic introspection, and ceremonial weight.
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Norkh, old school rules in their music. Raw, untainted black metal of the early 90s — occasional hint at thrash, death, doom, or even crust.