“From vision’s wound the dream coagulates” — Consanguine summons a nightmare liturgy where dissonant hymns bleed into ancestral horror.
Black Metal
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Antiquus Infestus conjure a nightmare liturgy of decay and judgment, where blackened cries, crushing riffs, and ritual percussion bind Salem’s hysteria to sound.
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Draculum’s debut conjures a liturgy of shadows, where spellcraft becomes sound and the void sings back. “Each verse is a vessel”
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Crux Ex channels depressive black metal into ambient ritual, summoning grief, decay, sonic introspection, and ceremonial weight.
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Norkh, old school rules in their music. Raw, untainted black metal of the early 90s — occasional hint at thrash, death, doom, or even crust.
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Abadir, a sonic fracture—carved in pagan fire and mythic defiance, a rupture that scorches through cosmic architecture with raw intent.
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Eunoe, that blends most of the metrics of modern and elderly Black Metal by combining some nuances of other metal genres.
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Bergsvriden—where folklore coils with fury and blackened hymns echo through the grim and swampy Swedish forest…
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Night Attack—a four-hymn invocation of blackened thrash fury. A descent evokes vampiric rites, spectral aggression, and ritual precision.
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Almanon, a lo-fi and raw death-black liturgy, channels the poetic grandeur of A.E. Poe—each lyric a shadow cast from the chamber door.