Draculum’s debut conjures a liturgy of shadows, where spellcraft becomes sound and the void sings back. “Each verse is a vessel”
Extreme Metal
-
-
Vomitile’s sonic assault channels death metal’s martial fury, where riffs march like legions and every blast beat is a curse.
-
Sardonic, a sonic purge: raw, blackened, and deliberately unpolished. Riffs tear through flesh, vocals curse like broken sermons, and drums strike like a dark rite.
-
Crux Ex channels depressive black metal into ambient ritual, summoning grief, decay, sonic introspection, and ceremonial weight.
-
Norkh, old school rules in their music. Raw, untainted black metal of the early 90s — occasional hint at thrash, death, doom, or even crust.
-
Bastard Skull, guitars slice like jagged blades, the drums bark orders, and the vocals spit curses. All of it sits in a mix born from that bunker feel grit.
-
Abadir, a sonic fracture—carved in pagan fire and mythic defiance, a rupture that scorches through cosmic architecture with raw intent.
-
Comatose is a feral invocation of chaos steeped in the raw, unholy essence of Southeast Asian and South American underground tradition.
-
Eunoe, that blends most of the metrics of modern and elderly Black Metal by combining some nuances of other metal genres.
-
Bergsvriden—where folklore coils with fury and blackened hymns echo through the grim and swampy Swedish forest…