Ophelia’s Eye summons riffs that pulse like molten circuitry, vocals tear through the void with desperate resolve, and drums hammer like tectonic plates grinding beneath a dying sun.
Thrash Metal
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Black Rabbit manifests a liturgy of decay, where riffs gnaw like vermin on bone, vocals shriek as feral invocations, and drums pound as relentless claws tearing through the sanctum
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Hell Throne conjures riffs that strike like blades, guttural cries resound as war‑chants, and percussion gallops like iron hooves across blood‑soaked ground.
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Cremate ignite a martial liturgy of defiance, where blistering riffs, guttural war‑chants, and relentless drums hammer steel into sound.
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Bastard Cross summon a blasphemous rite of annihilation, where serrated riffs, cavernous growls, and relentless percussion rip sacred icons into ruin.
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Norkh, old school rules in their music. Raw, untainted black metal of the early 90s — occasional hint at thrash, death, doom, or even crust.
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Bastard Skull, guitars slice like jagged blades, the drums bark orders, and the vocals spit curses. All of it sits in a mix born from that bunker feel grit.
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Biolence, a death-thrash devastation and sonic warfare, channelling themes of biological ruin, planetary collapse, and human corruption.
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Night Attack—a four-hymn invocation of blackened thrash fury. A descent evokes vampiric rites, spectral aggression, and ritual precision.
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Necrokinesis, a blistering invocation of death-thrash fury, cloaked in melancholic atmospheres and technical precision.