Warcoe – The Giant’s Dream Review

ByKristian Hours Hours

Warcoe, a Groovy Doom from the Abyss band from Italy. March 19th, 2022 the band unleashed their debut album “The Giant’s Dream,” which would gratify Wizard Master, Black Spell, Black Sabbath, and Pentagram fans. The album was released through Morbid and Miserable Records, Helter Skelter Productions, Unforgiven Blood, and Forbidden Place Records.

Warcoe, The Giant’s Dream Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.

The First Three Sins, The Summary

The First Sin, The Strings/Keys: Features fruit of art guitar work, that consists of robust, heavy, catchy-fuzzed-out/distorted (feedback) mind-altering groovy-doom-tinged and progressive riffs, accompanied by subtle yet effective acoustic guitar. Rumbling bass riffs fill the void with the music and add weight to every beat. The Second Sin, The Vocals: Features outstanding vocals, with a haunting echo and distorted vibe reminiscent of the early days of Ozzy Osbourne and Black Sabbath. The Third Sin—The Percussions: The drum work is varied, with different tones, moods, beats, rhythms, and supplies that keep the listener engaged and on edge.

The Fourth Sin, Overall Discussion

As soon as the play button is pressed, the first notes of the music hit the listener’s ears. The opening title track, Giant’s Dream, and the second track, Cats Will Follow, welcome the listener with a Pentagram and Black Sabbath vibe running through the instrumentation and vocals -where this signature sound continues throughout the release.

Breaking off the doomy groove with the (short) third track, Omega Sunrise, provides the listener with an instrumental of the acoustic, rounding off the last five songs (including the first two songs). Where the band has their unique, tasty style doom/groove sound and atmosphere while capturing the spiritual essences of (inspired) bands like Pentagram, Black Sabbath and their Italian brethren Wizard Master and Black Spell.

Simultaneously, the album creates this breathtaking throwback to the classic/proto and traditional doom metal days. When hearing the first note of the riffs, beats, vocals, and music – Warcoe makes the listener feel like they have opened a magical door and stepped into an abyss of yesteryears of early doom metal.
The final moments of Giant’s Dream are brought to a satisfying close with the nine-minute instrumental piece Buio, which welcomes the listener with a distorted, groove-like soundscape reminiscent of the legendary Black Sabbath.

The listener is treated to an engaging musical experience, with the last minute of the piece featuring an unplugged electro-guitar outro that adds a unique and captivating element to the composition.

Giant’s Dream is an awe-inspiring and thoroughly enjoyable album that spanned thirty-seven minutes of pure, unadulterated joy for my ears. Paying homage to the legendary Black Sabbath and infusing a distinct flavour of their own into the classic doom-metal genre.

On the other hand, The Giant’s Dream is equally impressive, and I could listen to it back-to-back with their debut without getting bored.

The album concludes with the final track, Church Of Void. We want to give a shoutout to Morbid and Miserable for letting us review Warcoe and the band’s album, The Giant’s Dream. Now, we are going to conclude the review by talking about the final three sins and concluding the review.

The Fifth Sin, The Memorabilia

The performance of Warcoe is genuinely the forbidden fruit of art, displaying the remarkable talent and creativity of the musicians involved. This album immerses you in a dark and heavy music world, perfectly blending classic doom metal with the sound of Black Sabbath that will impact anyone who listens.

In summary, Warcoe is a powerful album that will resonate with metal fans, particularly those who appreciate doom/groove metal and Black Sabbath.

The Sixth Sin, The Artwork

The artwork is an epic and classic doom metal album that strongly emphasizes the music. At the same time, the artwork complements the music.

The Seventh Sin, Disrelish

Nothing to disrelish within the musical spectrum of Warcoe and their album, The Giant’s Dream. Therefore, this concludes Warcoe and their album, The Giant’s Dream review.

The Hymns

01. Giant’s Dream
02. Cat’s Will Follow
03. Omega Sunrise
04. Fire and Snow
05. Winternaut
06. Thieves, Heretics and Wh**es
07. Scars Will Remain
08. Church of Void

Warcoe

Stefano: guitars, vocals, and bass on tracks 6,7,8
Carlo: bass on tracks 1,2,4,5
Francesco: drums

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