Mortress — The True Disgust Review
Mortress, an Italian Black/Death Metal band, emerged in 2022 from the cold mountains and dreary hills of the Italian underground. Their sound is forged in frost and fire—ritualistic, venomous, and unflinching. On August 22nd, 2025, they unveiled their second single, “The True Disgust.”
The First Three Sins, The Summary
The Fourth Sin, Overall Discussion
Opening the Gate: The Listener’s Descent Begins
The moment the play button is activated, the listener is drawn into the very soul of the composition, welcomed by opening notes that pull you deep into its intricate structure.
A Challenge to Conformity: Sound as Social Rebellion
The True Disgust launches a potent challenge. It critiques fleeting fads and the eroding moral compass of modern society. Our world often prioritizes outward appearances and the desperate need for approval. In this arena, the loudest voices and the most adaptable often triumph. Those who resist this pressure, who refuse to bend, are typically left behind in the shadows.
This song amplifies the voices of individuals who choose to be genuine. They stand firm against unspoken rules. These rules favour surface-level appeal over true substance. The track offers both powerful sound and deep thought. It makes a bold, unwavering statement that demands attention.
Forged in Fire: Ritual Precision and Sonic Defiance
The True Disgust is more than just a hymn. It’s a forceful rejection of conformity. Its sound is a weapon. It is forged in the intense heat of blackened death metal. Its delivery is precise, like a carefully executed ritual. It blends the chilling, dark atmosphere of black metal with death metal’s brute force.
This music isn’t merely heavy. It carries a dark ritualistic energy. It reflects Mortress’s core beliefs in survival and defiance.
Handmade and Hallowed: The Sacred Craft of Production
The entire creation of The True Disgust was a hands-on affair. Mortress handled every aspect, self-produced, recorded, mixed, and mastered the track. This approach ensured complete control over its sacred intention. The final product is rough but deliberate. It’s akin to a handmade altar. It radiates a raw beauty. Its imperfections make it more profoundly meaningful and hallowed.
The audio mix strikes a careful balance. It offers clarity alongside a gritty, dark texture. It is not smooth or polished. Instead, it feels scorched, as if weathered by elemental forces. Each frequency claws its way from the underworld.
Strings of Disgust: Guitar as Chant and Curse
The entire musical foundation of Mortress is woven by a fruit of art —strong devilmanship. It demonstrates a tight, flawless command of their craft. This includes the instrumental arrangements and overall composition. Carlo Desimone’s guitar work is particularly striking. His playing is sharp and jagged. The slightly detuned strings evoke a sense of decay. Precision is secondary to this evocative atmosphere.
His guitar riffs are not about showing off technical skill. They function as ritualistic chants. The music weaves together black metal tremolo passages with death metal’s heavy chugging rhythms. Hints of neoclassical melodies are buried deep. Buried beneath the surface like forgotten relics.
The guitars serve a dual purpose. They drive the song forward with rhythmic power. They also conjure the thematic disgust at its heart.
Subterranean Currents: Bass and Synths of Ideological Depth
Federica Ansanelli provides the bass riffs and synth elements. Her bass lines are subterranean. The tone is thick and grimy, it anchors the chaos with a sense of ritual gravity. The use of synths and reverb is subtle yet effective, creating a sense of haunted vastness without drowning the aggression.
These synths hint at unseen powers and deep-seated ideological obsessions.
Drums of Dissent & Venom in the Voice: Incantation from the Abyss
Lorenzo Aimo’s drumming is dynamic—switching between furious blast beats, tribal-sounding rolls, and syncopated rhythmic shifts. The kick drum is prominent, it acts as the track’s ritual heartbeat. The cymbals have a slightly washed-out quality. This adds to the track’s foggy atmosphere. His drums do more than just maintain a beat. They build energy and momentum, functioning like war drums in a procession of dissent and resistance.
Finally, Carlo Facchin’s vocals deliver a potent performance. His vocals drip like venom. It is purposeful and deliberate. It’s less about the deep guttural growls of traditional death metal. Rather, it’s more like an incantation, a spoken curse. His vocals are positioned prominently in the mix. They command attention. They sound like a fierce sermon delivered from a ruined, sacred place.
The True Disgust is an under five-minute dark fruit of art. It clocks in at under five minutes. Its entire composition and delivery are the result of exceptional skill. This tight, powerful devilmanship is evident throughout.
Closing: As the Single Fades into Silence
As the final notes of The True Disgust dissolve into shadow, we offer our deepest thanks to Mortress for allowing us to bear witness to this sonic invocation. Now, as we approach the altar’s edge, we conclude this review by unveiling the final three sins.
The Fifth Sin, The Memorabilia
The Sixth Sin, The Artwork
The Seventh Sin, Disrelish
Mortress
Federica Aimo — Bass, Synths
Carlo Desimone — Guitar
Lorenzo Aimo — Drums
Carlo Facchin — Vocals