Consanguine — Worlds Hidden Behind Vision, Rituals Hidden Behind Dream Review
Consanguine, athe American dissonant and disgusting Black Metal solo artist, stands as a conjurer of nightmare and forbidden resonance. On December 26th, 2025, he will unveil his latest ritual: Worlds Hidden Behind Vision, Rituals Hidden Behind Dream.
Consanguine, Worlds Hidden Behind Vision, Rituals Hidden Behind Dream Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.
The First Three Sins, The Summary
Clarity vs. Chaos
The album is captured in this DIY recording, where the production emphasizes spacious layering, allowing avant-garde black metal textures to breathe. There is a feeling of “Clarity vs. Chaos” instruments are balanced so that dissonant passages remain intelligible, preserving the ritualistic intent. Vocals sit slightly behind the instrumentation, spectral, reinforcing the “hidden behind vision” motif.
Overall: Blood Moon Benediction
This album isn’t just sound. It’s a rite. A nightmare you inhabit. Every riff, every scream, every production choice reinforces the ceremonial arc. Worlds Hidden Behind Vision, Rituals Hidden Behind Dream does not ask you to listen. It demands you suffer, host, and close the blood moon rite.
Closing Ceremony
The rite concludes with the final hymn,Crimson Wellspring Coagulates / Forbidden Archaeology—a last invocation where vision and dream entwine into silence. With this closing hymn, the ceremonial arc is sealed, the altar veiled, and the torches extinguished. We extend our deepest gratitude to Consanguine for granting us the honour of beholding Worlds Hidden Behind Vision, Rituals Hidden Behind Dream, and for allowing us to inscribe its mysteries into testimony.
The Fifth Sin, The Memorabilia
For me, Consanguine is pure nightmare incarnate—an architect of shadows who forges old‑school raw black metal with progressive, gothic, and death metal‑laden currents, laced with avant‑garde dissonance.His craft is not merely music but a ritual of collision, where tradition is shattered and reassembled into something colder, darker, and more unearthly than its parts. From this crucible emerges the forbidden fruit of art: intoxicating in its allure, perilous in its taste, and eternal in its resonance.
To encounter his work is to descend into a dreamscape where vision and nightmare entwine, where every hymn is both a wound and a revelation.
The Sixth Sin, The Artwork
The album’s artwork captures the lyric and horror of Bloodborne—a canvas where gothic architecture bleeds into nightmare, and every shadowed spire becomes a hymn of dread.
The Seventh Sin, Disrelish
There is nothing to disdain within the musical offerings of Consanguine; each hymn stands as testament to nightmare transfigured into art. Thus, we draw the veil upon our review, sealing the rite with reverence. I extend my deepest gratitude for your time in reading this testimony, and I urge you to step beyond the threshold to explore the visions and rituals wrought by Consanguine.
As the veil lifts on December 26th of this year, Consanguine will unleash Worlds Hidden Behind Vision, Rituals Hidden Behind Dream. This review stands as but a taste of what is to come—a foretelling of nightmare hymns yet to be heard, a glimpse into the forbidden fruit soon to be offered.
The Hymns
01. Secret Under Reflected Moon
02. The Swiftness of Time Halted and Stretched
03. To Host the Unfathomable Beyond
04. Crimson Wellspring Coagulates/Forbidden Archaeology
Consanguine
Dalton Hall — Everything