Mothman and the Thunderbirds – Gazer Review

The listener is invited to a space-themed Extended Play when the play button is pressed. The new space-based track Grazer opens with a short, eighties-style static-electronic synthesiser. This nostalgic element not only follows the band’s signature style of catchy and upbeat distortion-aggression but also hints at the band’s evolution and the EP’s unique sound, combined with an amplified guitar-based sound of progressive metal.

Building on their first album, Into The Hollow, the band introduces a new dimension to their sound in the EP. The familiar catchy and upbeat distortion-aggression is now augmented with spacey synthesisers and clean guitar chords, marking a significant evolution in their musical journey.

Upon further exploration of the musical landscape, individuals may come across two iconic tracks: All-Star by the renowned band Smash Mouth and Mr. Spaceman by the iconic American band The Byrds. Upon re-evaluating these timeless compositions, it becomes clear that All-Star exudes a more dynamic and electrifying sound characterised by its robust and captivating melodies. On the other hand, Mr. Spaceman maintains a musical structure similar to that of All-Star. Still, it distinguishes itself by incorporating a mesmerising, trippy ambience that immerses the listener in a unique auditory experience.

As the listener nears the end of the EP, we are treated to a genuinely mesmerising bonus instrumental track that seamlessly blends spacey and progressive music elements to create a fruit of art-instrumental piece. The track exudes a sense of grandeur and depth, leaving listeners feeling deeply satisfied with the album’s conclusion. It is a fitting end to a fantastic collection of songs that fills us with awe and wonder.

It is a pleasure to witness the return of the talented Alex, who has once again graced us with his signature style.
Alex‘s role in the EP is significant, as he seamlessly blends heavy rock with various elements of stoner metal, sludge metal, experimental and progressive rock, and diverse grooves. His unique style is a key element that connects this EP to the band’s previous work.

It’s a true pleasure to witness the return of the talented Alex, who has once again graced us with his signature style. His latest release not only features a delightful touch of spacy psychedelia that sets it apart from his previous work, but also showcases his exceptional skill, creativity, and accuracy. This unparalleled sound experience is a testament to his musical prowess and leaves us in awe.

The album comes to an end with the last song, Liminal Spacetime Continuum. We want to give a shoutout to Mothman and the Thunderbirds for letting us review his album, Gazer. Now, we’re going to wrap it up by talking about the final three sins and concluding the review.