Hell Throne — The Will to Die Review
Hell Throne conjures riffs that strike like blades, guttural cries resound as war‑chants, and percussion gallops like iron hooves across blood‑soaked ground.
Death Metal
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El Muerto — Lost and Amsterdamned Review
El Muerto conjures dissonant riffs, vocals laments seep through fog‑choked alleys, relentless percussion pounds like chains against stone.
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Cremate — Ready To Fight Review
Cremate ignite a martial liturgy of defiance, where blistering riffs, guttural war‑chants, and relentless drums hammer steel into sound.
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Rot Fester — Death Row Review
Rot Fester conjure a mortuary liturgy of torment, where grinding riffs, guttural hymns, and pounding drums hammer rust, bone, and decay into sound.
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Tria Prima — The Mortificatio Review
Tria Prima summon a ceremonial storm of occult resonance, where dissonant hymns, crushing riffs, and ritual drums weave sulfur, salt, and mercury into sound.
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Antiquus Infestus — Antiquus Infestus Review
Antiquus Infestus conjure a nightmare liturgy of decay and judgment, where blackened cries, crushing riffs, and ritual percussion bind Salem’s hysteria to sound.
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Flesh Remains — Tales Of Ruin Review
Flesh Remains summon a liturgy of chaos and grandeur, where symphonic death metal becomes ritual invocation, each guttural chant and orchestral surge a voice from the abyss.
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Vomitile — Faces Of Terror Review
Vomitile’s sonic assault channels death metal’s martial fury, where riffs march like legions and every blast beat is a curse.
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Sardonic — Menschenfeind Review
Sardonic, a sonic purge: raw, blackened, and deliberately unpolished. Riffs tear through flesh, vocals curse like broken sermons, and drums strike like a dark rite.
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Norkh — Under Teargas Fire Review
Norkh, old school rules in their music. Raw, untainted black metal of the early 90s — occasional hint at thrash, death, doom, or even crust.
