Arallu, an anthem of war against evil in the deserts of the Middle East. A relentless battle cry….
Death Metal
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Mortress, a venomous black/death metal invocation born from the cold hills of Italy—strings, synths, skulls, and sermons…
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Baelfyr—seven hymns of blackened death, steeped in ritual groove and emotional devastation.
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Forgotten, each track unfolds like a sermon to the dead, guiding the listener through a ritual of introspection and sonic reverence.
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Rise Behavior carve a sonic path that leaves nothing untouched: from guttural vocal summons, razor-sharp-riffs, to blistering drum rites
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Gravered unveils a debut steeped in lo-fi decay and death-worship. A sonic tomb: thick with distortion, guttural vocals, and ceremonial rot.
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Diaballein channel the ruinous divine. Each passage they summon feels carved from sanctified ash—ritual, not performance.
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A Vow of Silence draws the listener into sacred stillness—where beauty decays and horror blossoms. It’s no album, but a rite carved in hush and harm.
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Antania, a brutal baptism in doom bass and industrial grime—where distortion breathes dread and rhythm marches like a bloodstained procession.
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Sodomic Baptism is steeped in a venomous and sonic liturgy of desecration—a blood rite forged in distortion, delivered with ceremonial fury.