Tales Of Mike, raw hymns, emotional vocals of grief and identity collapse — a sonic ritual carved from sorrow, truth, and devilmanship.
Heavy Metal
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Anemoya channels progressive metal into introspective ceremony, summoning memory, cultural roots, sonic ritual, and ceremonial depth.
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Bastard Skull, guitars slice like jagged blades, the drums bark orders, and the vocals spit curses. All of it sits in a mix born from that bunker feel grit.
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Warcoe, summons the ghosts of Sabbath and Pentagram while carving its own myth in stone. Fuzz-drenched riffs, occult visions, and analogue grit.
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Blizzard Hunter: twin axes clash in ritual combat, vocals summon storms from the sky, and beneath it all, the pulse is pure heavy metal thunder.
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Bardos De Amergin, soaked in Celtic ritual and drunken lore. Acoustic strums entwine with distorted riffs, warlike drums stomp through smoky taverns, and bardic chants echo across sacred feasts.
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The Wrestlers, evokes sweat-drenched most pits, rusted amps, and DIY flyers soaked in beer and rentless thrash metal.
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Tumulario is raw to the marrow—extreme in essence, cold as crypt breath, and venomous in its bite.
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Mortress, a venomous black/death metal invocation born from the cold hills of Italy—strings, synths, skulls, and sermons…
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Paranoia Church, a genre-defying project that fuses traditional metal, alternative, & prog rock, and delves into the darker corners of the human psyche