Hell Throne conjures riffs that strike like blades, guttural cries resound as war‑chants, and percussion gallops like iron hooves across blood‑soaked ground.
Thrash Metal
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Cremate ignite a martial liturgy of defiance, where blistering riffs, guttural war‑chants, and relentless drums hammer steel into sound.
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Bastard Cross summon a blasphemous rite of annihilation, where serrated riffs, cavernous growls, and relentless percussion rip sacred icons into ruin.
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Norkh, old school rules in their music. Raw, untainted black metal of the early 90s — occasional hint at thrash, death, doom, or even crust.
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Bastard Skull, guitars slice like jagged blades, the drums bark orders, and the vocals spit curses. All of it sits in a mix born from that bunker feel grit.
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Biolence, a death-thrash devastation and sonic warfare, channelling themes of biological ruin, planetary collapse, and human corruption.
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Night Attack—a four-hymn invocation of blackened thrash fury. A descent evokes vampiric rites, spectral aggression, and ritual precision.
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Necrokinesis, a blistering invocation of death-thrash fury, cloaked in melancholic atmospheres and technical precision.
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Electrocutioner, an old‑school thrash fury—raw, gritty, and unrelenting. Forged in the spirit of East Coast legends yet sharpened with its own vicious edge.
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The Wrestlers, evokes sweat-drenched most pits, rusted amps, and DIY flyers soaked in beer and rentless thrash metal.