Dark Impaler operate where frostbitten tremolo and archaic abrasion converge — venom-soaked vocals and two-phase violence forged in coffin-sealed German darkness.
Raw Black Metal
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Brain Dead operate where blackened speed is pure riot — rusty tremolo velocity, punk-fuelled percussion, and throat-ripped shrieks forged in dive-bar hellfire.
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Årxøytt operate where black metal dissolves into dimension — grain-laden tremolo, heartbeat percussion, and sermon-like vocals drifting through negative space and frost.
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Mitternacht conjures guitars that coil in bleak, glacial arcs, vocals rise as distant invocations, and drums strike with the solemn weight of an ancient oath.
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“From vision’s wound the dream coagulates” — Consanguine summons a nightmare liturgy where dissonant hymns bleed into ancestral horror.
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Draculum’s debut conjures a liturgy of shadows, where spellcraft becomes sound and the void sings back. “Each verse is a vessel”
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Norkh, old school rules in their music. Raw, untainted black metal of the early 90s — occasional hint at thrash, death, doom, or even crust.
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Abadir, a sonic fracture—carved in pagan fire and mythic defiance, a rupture that scorches through cosmic architecture with raw intent.
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Eunoe, that blends most of the metrics of modern and elderly Black Metal by combining some nuances of other metal genres.
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Worthless, imprison nightmares with the music, to make them even deeper, more intense and darker.