Saint Omen — Mysteries of Rebirth Review
Saint Omen operates where 1970s occult doom meets analogue-hazed ritualism — Mysteries of Rebirth is a slow-burning descent into fuzz, smoke, and cinematic shadow.
America
-
-
Abitha — Songs of Perdition Review
Abitha operate where melody becomes weapon — Songs of Perdition is a satirical dismantling of faith, driven by groove metal weight and ritualised vocal delivery.
-
Relic — Crown of Flies Review
Relic operate where blackened filth meets death metal violence — Crown of Flies is a ten-minute burst of claustrophobic force, sharpened riffs, and bunker-born hostility.
-
Baylec — Camus Review
Baylec operate where black metal becomes a suffocating grey descent—brittle tremolo, disembodied shrieks, and a solitary atmosphere that refuses to lift.
-
Dragsholm — From the Bloodlines of Bram Review
Dragsholm operate where vampiric myth and black & death collide — and narrative darkness unfolding like a doomed crossing of the Demeter.
-
Lord Centipede — Centipede II: Electric Boogaloo Review
Lord Centipede operate where blackened grind mutates into a bioelectric organism—serrated riffing, panic-driven rhythm, and industrial decay fused into chaos.
-
Carnaby Christ — Kissing the Flames Review
Carnaby Christ operate where cosmic black-doom ritual broadcasts like corrupted occult signal—droning gravity, cult sermons, and tremolo spiralling into chaos.
-
Bestemmia Aeternalis — Forbearance in Opposition Review
Bestemmia Aeternalis operate where death metal’s physical force collides with black metal hostility — shaped through blasphemy, ritual and bestial discipline.
-
Viserion — Fire and Blood Review
Viserion forge blackened metal steeped in fire, ice, and blood, merging chaotic aggression with epic atmosphere and high-concept lore into a volatile, unbound assault.
-
Nighnacht — Limb Service Review
Nighnacht channel raw black/death aggression through violent riffs and unrelenting momentum, fusing war-metal ferocity with punk-driven urgency.
