Rot Fester conjure a mortuary liturgy of torment, where grinding riffs, guttural hymns, and pounding drums hammer rust, bone, and decay into sound.
Death Metal
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Tria Prima summon a ceremonial storm of occult resonance, where dissonant hymns, crushing riffs, and ritual drums weave sulfur, salt, and mercury into sound.
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Antiquus Infestus conjure a nightmare liturgy of decay and judgment, where blackened cries, crushing riffs, and ritual percussion bind Salem’s hysteria to sound.
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Flesh Remains summon a liturgy of chaos and grandeur, where symphonic death metal becomes ritual invocation, each guttural chant and orchestral surge a voice from the abyss.
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Vomitile’s sonic assault channels death metal’s martial fury, where riffs march like legions and every blast beat is a curse.
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Sardonic, a sonic purge: raw, blackened, and deliberately unpolished. Riffs tear through flesh, vocals curse like broken sermons, and drums strike like a dark rite.
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Norkh, old school rules in their music. Raw, untainted black metal of the early 90s — occasional hint at thrash, death, doom, or even crust.
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Angel Rising fuses groove metal’s relentless drive with progressive shifts and thrash intricate riff work. Melodic death touches add sharp edges…
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Comatose is a feral invocation of chaos steeped in the raw, unholy essence of Southeast Asian and South American underground tradition.
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Biolence, a death-thrash devastation and sonic warfare, channelling themes of biological ruin, planetary collapse, and human corruption.